CHEAP

Solo exhibition at the Method Gallery in Seattle WA. The central theme of the CHEAP installation is to examine issues of consumerism and to incentivize new ways of looking at this loaded word. My intention with this work is to use the word cheap to address the environmental impact of disposable goods through the lens of the fast fashion industry. In this new work, the word cheap will be accompanied with a long list of synonyms set within a textile context. CHEAP is inspired by a billboard ad I witnessed in 2014, which depicted happy jumping children in bright coloured …

A Dressing the Future

A Dressing the Future is a new series which integrates my artwork into a magazine format. The first of this series is called Jardin Culture and the first issue is “HortiCulture”. The editorial format of a magazine allows me to present themes in my work that raise awareness about socio-political and environmental issues. This magazine is placed in a dystopian future and I have created pseudonyms for the various aspects of my work. Dexter Nicholson is the editor and contributors include: Jean-Xavier Destroches- photographer, Nicole Vivian D’Extras- fashion designer and Élocin Sartxed-  sculptor. In mr. Nicholson’s inaugural editorial Art and Dystopia Today he writes: …

Persephone and the Pomegrante

My latest Weedrobes garment is a fruit inspired two piece ensemble with a jacket made from pomegranate peels, which was inspired by my experience with this material while in Germany working on a dress for Weleda. The sleeveless jacket also contains details made with dried mushrooms and fish maw around the collar and armholes. The boots are made with pomegranate fruit leather on a cork platform heel. The skirt is woven with wool and Asian red dates. The concept for this project is based on the Greek Persephone myth where a young woman is abducted by Haides and brought to …

The Little Green Dress Projekt

The Little Green Dress Projekt was an outdoor installation in the Earth Art Exhibition at VanDusen Botanical Garden in the summer and fall of 2012. For a full description of the project and to view photos please visit the LGD blog. I was on site for 2 months creating these pieces and installing them one at a time in the perennial garden. They were left to change and decompose over time to emphasize the process of nature. Each dress was made for an individual woman who supplied the leaves and flowers for her dress. Four women worn their dresses for …

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